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Rose's Choice 2nd Edition (2003)


Once again, Rose’s Choice, is the title we have given to the second, international and interdisciplinary meeting of sculptors, painters and photographers, located in the charming village of Scontrone, Italy. The artists are all women and the aim of the meeting is to stimulate a discussion about different artforms, cultures, means of expression and feelings. Through an integrated series of exhibits we wish to create a cultural osmosis and stress the value of women’s steady contribution to the world of art. We hope that this will in turn lead to further the foundation of the International Museum of Women in Art (M.I.D.A.) and to identify Scontrone as “The House of the Muses” – a place of artistic inspiration for women all over the world.

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M.I.D.A. strives to preserve and enrich the historical-artistic heritage of the area by integrating the museum with Scontrone’s historical traces to the past, in turn rendering the town itself a museum. It is a structure with an evergrowing capacity to meet individuals’ and their communities’ need for aesthetic and cultural perspectives. In essence, the village of Scontrone is a comunity growing towards a human dimension assisting the individual to find oneself through knowledge, study, and communication, with the intent that the future of the town lies within a progressive and polysemantic cultural hub.

 

The scope of the exhibit encompasses the interactivity between the local ambient and the world’s ever-growing cultural tendencies. Together, selected artists and their proposals, hold steadfast to an idea that propells the show beyond that of the immediate atmosphere of the museum, thus linking it to other parts of the world that have become focal points of historic and contemporary conflicts regarding women’s issues. It is important, though, that the exhibit maintains its role within the context of Scontrone, while moving forward in the world of art and opening a sucession of new theoretical discourse affecting our everyday life regardless of where we call home.

 

We do not want to separate form from content; we only want to reaffirm the quality of the creative process. It is this process that also permits us to reconfirm the real dialogue with artworks that preludes to an extension of existence referencing a type of lifestyle carrying new hopes, without conformism, globalism, localization. M.I.D.A.’s goal is to shorten the distances between different cultures and identities in the hopes that we might realize the “added value” of the ethical nature of art, or if not, that of its political nature with respect to the time period in which we live.

- Lino Alviani, curator


 
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